Original name: Carmen
Libretto: Henri Meilhac şi Ludovic Halevy
After the homonym story by Prosper Merimee
Stage Director: Mihail Timofti Maestru in Artă
Set Designer: Felix Bessonov Om Emerit
Costume Designer: Nina Babuţac
Choreography: Andrei Litvinov Maestru in Artă
Music Director: Nicolae Dohotaru Artist al Poporului
Chief Choirmaster: Oleg Constantinov Maestru in Arta
World Premiere: 03 march, 1875, at Comic Opera, Paris.
Premiere in Chishinau: february 18, 1961, at the Moldova State Theatre of Opera and Ballet “A.S.Pushkin”.
Carmen - Tatiana Busuioc Master of Arts
Don Jose - Calin Bratescu Romania
Michaela - Anastasia Cushnir
Escamillo - Petru Racovita People`s artist
Frasquita - Lilia Sholomey Emeritus Artist
Mercedes - Taisia Caraman
Dancairo - Alexei Digore
Remendado - Nicolae Vascautsan
Zuniga - Viorel Zgardan
Morales - Vitalie Cebotari
Conductor: ANDRIY YURKEVYCH
„The opera of Bizet is a part of a restricted series of works
which express the capacity to show the aspirations of a whole age”.
The history of creation
It was composed in the comic opera style with spoken recitatives. Carmen opera represents the contribution to the evolution of liric theatre looking to the veracity of the subject and of course the color of theme. Carmen opera , looking to the originality of Georges Bizet, it was criticized and after the premiere it was forbbiden and convicted to disappearence for a long time.So looking to this event it was performed on the stage and becoming a famous opera in the world. The best characterization was made by Ceaikovski after 10 years of the first premiere. "... my opinion is : if one of our contemporary operas survives in our century it will be Carmen".
The action takes place in Seville in the beginning of XIX century
Corporal Morales and the soldiers while away the time watching the passers-by, among whom is Michaela, a peasant girl from Navarre. She asks Morales if he knows Don Jose, and is told that he is a corporal in another platoon expected shortly to relieve the present guard. Avoiding their invitation to step inside the guardroom, Michaela escapes. A trumpet call heralds the approach not only of the relief guard but also of a gang of street urchins imitating their drill. As the guards are changed, Morales tells Jose that a girl is looking for him. Zuniga, the lieutenant in command of the new guard, questions Corporal Jose about the tobacco factory. A stranger in Seville, Zuniga is apprehensive of the dangerous atmosphere of the locale.
The factory bell rings and the men of Seville gather round the female workers as they return after their lunch break. The gypsy Carmen is awaited with anticipation. When the men gather round her, she tells them love obeys no known laws (Habanera: "L'amour est un oiseau rebelle"). Only one man pays no attention to her - Don Jose. Carmen throws a flower at him. The women go back into the factory and the crowd disperses.
Michaela returns, bringing news of Jose's mother. She has sent Michaela, who lives with her, to give him a letter ("Parle-moi de ma mere"). Jose feels that his mother is protecting him from afar. When he starts to read her letter, Michaela runs off in embarrassment since it suggests that he marry her. At the moment that he decides to obey, a fight is heard from within the factory. The girls stream out with sharply conflicting accounts of what has occurred, but it is certain that Carmen and one of her fellow workers quarreled and that the other girl was wounded. Carmen, led out by Jose, refuses to answer any of Zuniga's questions. Jose is ordered to tie her up and take her to prison. Carmen entices him to go dancing at Lillas Pastia's tavern outside the walls of Seville (Seguedille: "Pres des remparts de Seville"). Mesmerized, Jose agrees to help her escape. He unties the rope and, as they leave for prison, Carmen slips away. Don Jose is arrested.
Carmen and her friends Frasquita and Mercedes entertain Zuniga and other officers ("Les tringles des sistres tintaient"). Zuniga tells Carmen that Jose has been released this very day. A torchlight procession in honor of the bullfighter Escamillo is heard, and the officers invite him in. He describes the excitements of his profession, in particular the amorous rewards that follow a successful bullfight (Toreador's Song: "Votre toast"). Escamillo then propositions Carmen, but she replies that she is engaged for the moment. He says he will wait. Carmen refuses to leave with Zuniga, who threatens to return later.
When the company has departed, the smugglers Dancaire and Remendado enter. They have business in hand for which their regular female accomplices are essential ("Nous avons en tete une affaire"). Frasquita and Mercedes are game, but Carmen refuses to leave Seville: she is in love. Her friends are incredulous. Jose's song is heard in the distance. ("Dragon d'Alcala"). The smugglers withdraw. Carmen tells Jose that she has been dancing for his officers. When he reacts jealously, she agrees to entertain him alone (Finale: "Je vais danser en votre honneur"). Bugles are heard sounding the retreat. Jose says that he must return to barracks. Stupefied, Carmen mocks him, but he answers by producing the flower she threw and telling her how its faded scent sustained his love during the long weeks in prison (Flower Song: "La fleur que tu m'avais jetee"). But she replies that he doesn't love her; if he did he would desert and join her in a life of freedom in the mountains. When, torn with doubts, he finally refuses, she dismisses him contemptuously. As he leaves, Zuniga bursts in. In jealous rage Jose attacks him. The smugglers return, separate them, and put Zuniga under temporary constraint ("Bel officier"). Jose now has no choice but to desert and join the smugglers.
The gang enters with contraband and pauses for a brief rest while Dancaire and Remendado go on a reconnaissance mission. Carmen and Jose quarrel, and Jose gazes regretfully down to the valley where his mother is living. Carmen advises him to join her. The women turn the cards to tell their fortunes: Frasquita and Mercedes foresee rich and gallant lovers, but Carmen's cards spell death, for her and for Jose. She accepts the prophecy (Card Song: "En vain pour eviter les reponses ameres"). Remendado and Dancaire return announcing that customs officers are guarding the pass: Carmen, Frasquita, and Mercedes know how to deal with them ("Quant au douanier"). All depart. Michaela appears, led by a mountaineer. She says that she fears nothing so much as meeting the woman who has turned the man she once loved into a criminal ("Je dis que rien ne m'epouvante"). But she hurries away in fear when a shot rings out. It is Jose firing at an intruder, who turns out to be Escamillo, transporting bulls to Seville ("Je suis Escamillo"). When he refers to the soldier whom Carmen once loved, Jose reveals himself and they fight. Carmen and the smugglers return and separate them. Escamillo invites everyone, especially Carmen, to be his guests at the next bullfight in Seville. Jose is at the end of his tether. Michaela is discovered, and she begs Jose to go with her to his mother but he furiously refuses ("Dut-il m'en couter la vie"). Michaela then reveals that his mother is dying. Jose promises Carmen that they will meet again. As Jose and Michaela leave, Escamillo is heard singing in the distance.
Among the excited crowd cheering the bullfighters are Frasquita and Mercedes. Carmen enters on Escamillo's arm ("Si tu m'aimes"). Frasquita and Mercedes warn Carmen that Jose has been seen in the crowd. She says that she is not afraid. Jose enters. He implores her to forget the past and start a new life with him. She tells him calmly that everything between them is over. She will never give in: she was born free and free she will die. While the crowd is heard cheering Escamillo, Jose tries to prevent Carmen from joining her new lover. Carmen finally loses her temper, takes from her finger the ring that Jose once gave her, and throws it at his feet. Jose stabs her, and then confesses to the murder of the woman he loved.